"DESMOND THE ABUSED" IS COMING TO THE MELBOURNE DRAG EXPO

DESMOND'S "HANDLERS" AND PROMOTERS are one thing, but the abhorrent part of this will be the hundreds of voyeurs who will turn up to cheer and cast their lascivious eyes on the spectacle of a 12 year old gyrating and twerking for the deviant pleasure of adults. Millstones needed.

This is re-blogged from BINARY with a link in the article.

12-year-old Drag Queen coming to Australia

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3. 12-year-old Drag Queen coming to Australia

February 28, 2020

Desmond is Amazing, a 12yr old drag queen, is coming to Australia. He will be a special guest at the Melbourne Drag Queen Expo in August.
Still only a child, 12yr old Desmond will be sharing the stage with many adult entertainers.
The featured Drag Queens for the expo specialise in sexually explicit content. They perform in bars and 18+ spaces – and that’s where they belong. Adult entertainers are of adults.
One has to ask then, what business does a 12-year-old have with such performers? Why is the expo featuring a 12 year old? This will attract attention from other kids as well. You can be sure they will check out the social media profiles of some of the Drag Queens. What they will discover is drag queens are not for kids.
Here is just a sample:
Alaska Thudnerf*ck – The name says it all and the bio says: A well-traveled, campy extraterrestrial does have her perks and her irritations. Transients and drifters are directed to the nearest black hole via her pre-screw-you GPS navigation, and drug-addled layabouts are allowed to create their own black holes. She promises to upload each and every one into the system. How dangerous can Thunderfuck be? As dangerous as a black hole.
Archie Arsenic –When kids visit his Facebook page they will be confronted with image after image of him dressed as the devil – topless, with glitter over the nipples, in bondage style lingerie, being sexually provocative and playing with fire. Definitely 18+ material there.
Weird Alice Yankadic: FB page features sexualised cartoons and images of him with breasts being fondled by himself and others in the bed.
Sharon Needles: From the performers webpage:  “Sharon Needles is the most paranoid, disgusting, vile, lewd, corrupt, and obscene bitch I’ve ever met. And I mean that in a good way. Basically, there are three human needs in life: Sex, Scotch, and Sharon Needles.”
Bible Girl 666 is described as “Internet reality trash”
D Flowers advocates political activism and wants to promote the gender fluid agenda. “Anyone who breaks the gender binary is not only making a political statement; they are also making social, historical, and economical statements as well. We all know that heterosexual society is rather binary, and drag does tend to break down a lot of the boundaries and create visceral reactions. I feel it can expose individuals to the idea that gender is a fluid, social construct.”
Dwight Trash: His bio Instagram describes him as the King of Camp Cowboy Trash.He is “Here to confuse and unsettle the masses.” And is “The one your mother warned you about.”
Penny Cillin: one of his first images on Instagram is captioned “Solid gold d*ckhead”
Kane Enable: contains adult content on Instagram: “Still finding glitter on my neck, my back, in my p*ssy and my crack.”
Cherylyn Barnes: Social media: “this is for all mi lost biches xxxxx Pussi kiss.”
Kirralie Smith, Binary spokeswoman, is concerned about the trend to involve children in adult entertainment.
“Drag queens are not for kids. They are adult entertainers who perform for adults. Why on earth would anyone want to expose children to hypersexualised men, dressed as stereotyped sexualised women? Children who follow Desmond will no doubt investigate the social media pages of the other drag queens. Their content is definitely not for kids!”

"DESMOND THE ABUSED" IS COMING TO THE MELBOURNE DRAG EXPO

DESMOND'S "HANDLERS" AND PROMOTERS are one thing, but the abhorrent part of this will be the hundreds of voyeurs who will turn up to cheer and cast their lascivious eyes on the spectacle of a 12 year old gyrating and twerking for the deviant pleasure of adults. Millstones needed.

This is re-blogged from BINARY with a link in the article.

12-year-old Drag Queen coming to Australia

1. Home
2. News
3. 12-year-old Drag Queen coming to Australia

February 28, 2020

Desmond is Amazing, a 12yr old drag queen, is coming to Australia. He will be a special guest at the Melbourne Drag Queen Expo in August.
Still only a child, 12yr old Desmond will be sharing the stage with many adult entertainers.
The featured Drag Queens for the expo specialise in sexually explicit content. They perform in bars and 18+ spaces – and that’s where they belong. Adult entertainers are of adults.
One has to ask then, what business does a 12-year-old have with such performers? Why is the expo featuring a 12 year old? This will attract attention from other kids as well. You can be sure they will check out the social media profiles of some of the Drag Queens. What they will discover is drag queens are not for kids.
Here is just a sample:
Alaska Thudnerf*ck – The name says it all and the bio says: A well-traveled, campy extraterrestrial does have her perks and her irritations. Transients and drifters are directed to the nearest black hole via her pre-screw-you GPS navigation, and drug-addled layabouts are allowed to create their own black holes. She promises to upload each and every one into the system. How dangerous can Thunderfuck be? As dangerous as a black hole.
Archie Arsenic –When kids visit his Facebook page they will be confronted with image after image of him dressed as the devil – topless, with glitter over the nipples, in bondage style lingerie, being sexually provocative and playing with fire. Definitely 18+ material there.
Weird Alice Yankadic: FB page features sexualised cartoons and images of him with breasts being fondled by himself and others in the bed.
Sharon Needles: From the performers webpage:  “Sharon Needles is the most paranoid, disgusting, vile, lewd, corrupt, and obscene bitch I’ve ever met. And I mean that in a good way. Basically, there are three human needs in life: Sex, Scotch, and Sharon Needles.”
Bible Girl 666 is described as “Internet reality trash”
D Flowers advocates political activism and wants to promote the gender fluid agenda. “Anyone who breaks the gender binary is not only making a political statement; they are also making social, historical, and economical statements as well. We all know that heterosexual society is rather binary, and drag does tend to break down a lot of the boundaries and create visceral reactions. I feel it can expose individuals to the idea that gender is a fluid, social construct.”
Dwight Trash: His bio Instagram describes him as the King of Camp Cowboy Trash.He is “Here to confuse and unsettle the masses.” And is “The one your mother warned you about.”
Penny Cillin: one of his first images on Instagram is captioned “Solid gold d*ckhead”
Kane Enable: contains adult content on Instagram: “Still finding glitter on my neck, my back, in my p*ssy and my crack.”
Cherylyn Barnes: Social media: “this is for all mi lost biches xxxxx Pussi kiss.”
Kirralie Smith, Binary spokeswoman, is concerned about the trend to involve children in adult entertainment.
“Drag queens are not for kids. They are adult entertainers who perform for adults. Why on earth would anyone want to expose children to hypersexualised men, dressed as stereotyped sexualised women? Children who follow Desmond will no doubt investigate the social media pages of the other drag queens. Their content is definitely not for kids!”

THE CUBE OF MECCA - A HISTORY

FROM CITIZEN WARRIOR..........

The Cube of Mecca and How it Got That Way

Friday

Click on the image to see it larger.

The following was written by F.W. Burleigh, author of It's All About Muhammad, A Biography of the World's Most Notorious Prophet.

In the beginning of the world, there was the Kabah — at least, if you believe what Muslims are indoctrinated into believing about the draped temple of Mecca that is orbited by masses of people every year during the pilgrimage season.

The story goes it was a jewel sent down to the world by Allah from his throne far above the seventh of the seven heavens. Adam, the first man, built the Kabah as the first temple of worship of Allah, but it was destroyed in the great flood that Allah inflicted on the world for disobedience to his will. It was rebuilt by Abraham and Ishmael, and Ishmael fathered a line of Arabs that led finally to Muhammad. But by Muhammad’s time, the temple had fallen into the wrong hands, into the hands of idolaters who worshiped other gods than Allah.

Muhammad, as hero of this narrative that he crafted about himself, was commissioned by Allah to rescue the temple from idolatry and restore the one-God worship of Adam, Noah, Abraham, Ishmael, and other heroes of Biblical fame.

Muhammad had a way of inserting himself into other people’s religious narratives, a compulsion derived from his many psychological disorders, not the least of which was grandiosity. He was like Woody Allen in Zelig where he grafts himself into historical footage showing himself on stage with Adolph Hitler — except that Muhammad was notoriously unfunny. In his unfunny way he grafted himself onto the line of Jewish prophets; he put himself on stage with the heroes of Jewish legends and proclaimed himself to be the best of them all, the last and final prophet before the Day of Doom, superior to all the other prophets, even Jesus. Muhammad included Jesus in the prophet lineup, but he had to demote Jesus to being merely a man, for if he acknowledged Jesus as divine, he, Muhammad, would have had less importance.

The truth about the Meccan temple is yawningly prosaic. It was a moon temple built by the early nomadic Arabs of the valley of Mecca, descendants of Yemeni emigrants who worshiped the moon, the sun, and other celestial objects. A couple of hundred years before Muhammad, the temple was an enclosure whose walls of stacked rocks were so low that goats could jump over them. In one corner, atop a pillar of rocks, was the Black Stone meteorite the desert Arabs had discovered and believed to be a gift of the moon god.

Kabah is a nickname. It means cube in Arabic, and the temple of Mecca did not acquire its cubic shape until the year A.D. 605 when Muhammad was 35 years old. Until then, it had remained a stone enclosure without a roof, though its walls had been built up higher than in previous centuries — above a man’s height and having a door. The statue of the moon god Hubal was on a pedestal in the interior. Polytheists from all over Arabia made a visit to the moon shrine during their pilgrimage.

It is in the Muslim records that Muhammad was part of the construction crew that used salvaged wood from a shipwreck to rebuild the temple and give it a roof. The temple had been damaged in a flash flood and needed to be replaced. It was Muhammad’s job to carry rocks from nearby hills on his shoulder. The evidence of the literature is that during the construction he suffered an epileptic fit. This came about after his uncles and others pestered him to remove his clothes like everyone else did, and use them as a cushion to protect his shoulder while carrying rocks, but when he removed his garments he fell to the ground in a seizure. Epilepsy is central to the Muhammad story because the neurological explosions of his malformed temporal lobe gave him ecstatic experiences that eventually convinced him he was in communion with God and that God had selected him as a prophet.

Once the temple attained its final form, then and only then did it become known as “The Cube.” It sported a semicircular stone platform on one side that served as a meeting site for the town notables and as a stage for orators when crowds gathered on important occasions.

When Muhammad conquered Mecca, he took over the Cube and made it central to the worship of his peculiar God concept, an idea that reflected his own psyche, particularly his stunning capacity for hatred and thirst for vengeance. His followers no longer orbited the moon shrine in imitation of celestial objects, but in worship of Muhammad’s God concept.

It is the practice that Muslims — Submitters to Muhammad’s God concept — blindly continue today.

F.W. Burleigh is the author of It's All About Muhammad, A Biography of the World's Most Notorious Prophet. He blogs at www.itsallaboutmuhammad.com.

THE CUBE OF MECCA - A HISTORY

FROM CITIZEN WARRIOR..........

The Cube of Mecca and How it Got That Way

Friday

Click on the image to see it larger.

The following was written by F.W. Burleigh, author of It's All About Muhammad, A Biography of the World's Most Notorious Prophet.

In the beginning of the world, there was the Kabah — at least, if you believe what Muslims are indoctrinated into believing about the draped temple of Mecca that is orbited by masses of people every year during the pilgrimage season.

The story goes it was a jewel sent down to the world by Allah from his throne far above the seventh of the seven heavens. Adam, the first man, built the Kabah as the first temple of worship of Allah, but it was destroyed in the great flood that Allah inflicted on the world for disobedience to his will. It was rebuilt by Abraham and Ishmael, and Ishmael fathered a line of Arabs that led finally to Muhammad. But by Muhammad’s time, the temple had fallen into the wrong hands, into the hands of idolaters who worshiped other gods than Allah.

Muhammad, as hero of this narrative that he crafted about himself, was commissioned by Allah to rescue the temple from idolatry and restore the one-God worship of Adam, Noah, Abraham, Ishmael, and other heroes of Biblical fame.

Muhammad had a way of inserting himself into other people’s religious narratives, a compulsion derived from his many psychological disorders, not the least of which was grandiosity. He was like Woody Allen in Zelig where he grafts himself into historical footage showing himself on stage with Adolph Hitler — except that Muhammad was notoriously unfunny. In his unfunny way he grafted himself onto the line of Jewish prophets; he put himself on stage with the heroes of Jewish legends and proclaimed himself to be the best of them all, the last and final prophet before the Day of Doom, superior to all the other prophets, even Jesus. Muhammad included Jesus in the prophet lineup, but he had to demote Jesus to being merely a man, for if he acknowledged Jesus as divine, he, Muhammad, would have had less importance.

The truth about the Meccan temple is yawningly prosaic. It was a moon temple built by the early nomadic Arabs of the valley of Mecca, descendants of Yemeni emigrants who worshiped the moon, the sun, and other celestial objects. A couple of hundred years before Muhammad, the temple was an enclosure whose walls of stacked rocks were so low that goats could jump over them. In one corner, atop a pillar of rocks, was the Black Stone meteorite the desert Arabs had discovered and believed to be a gift of the moon god.

Kabah is a nickname. It means cube in Arabic, and the temple of Mecca did not acquire its cubic shape until the year A.D. 605 when Muhammad was 35 years old. Until then, it had remained a stone enclosure without a roof, though its walls had been built up higher than in previous centuries — above a man’s height and having a door. The statue of the moon god Hubal was on a pedestal in the interior. Polytheists from all over Arabia made a visit to the moon shrine during their pilgrimage.

It is in the Muslim records that Muhammad was part of the construction crew that used salvaged wood from a shipwreck to rebuild the temple and give it a roof. The temple had been damaged in a flash flood and needed to be replaced. It was Muhammad’s job to carry rocks from nearby hills on his shoulder. The evidence of the literature is that during the construction he suffered an epileptic fit. This came about after his uncles and others pestered him to remove his clothes like everyone else did, and use them as a cushion to protect his shoulder while carrying rocks, but when he removed his garments he fell to the ground in a seizure. Epilepsy is central to the Muhammad story because the neurological explosions of his malformed temporal lobe gave him ecstatic experiences that eventually convinced him he was in communion with God and that God had selected him as a prophet.

Once the temple attained its final form, then and only then did it become known as “The Cube.” It sported a semicircular stone platform on one side that served as a meeting site for the town notables and as a stage for orators when crowds gathered on important occasions.

When Muhammad conquered Mecca, he took over the Cube and made it central to the worship of his peculiar God concept, an idea that reflected his own psyche, particularly his stunning capacity for hatred and thirst for vengeance. His followers no longer orbited the moon shrine in imitation of celestial objects, but in worship of Muhammad’s God concept.

It is the practice that Muslims — Submitters to Muhammad’s God concept — blindly continue today.

F.W. Burleigh is the author of It's All About Muhammad, A Biography of the World's Most Notorious Prophet. He blogs at www.itsallaboutmuhammad.com.

UK WOKE JUSTICE IS NOT JUST

Needs no comment.

UK WOKE JUSTICE IS NOT JUST

Needs no comment.

DON'T BE TOO HASTIE TO CONDEMN THE RIGHT

DON'T GET ME WRONG, Andrew Hastie is one of our better MP's in my unhumble opinion, but whistle blowing that he and the head of our Intel Agency are very conscious of keeping us safe - then why does the Govt. keep importing those sworn to kill us according to their "holy" books?  Do they not understand that the far right is only a concern because they created this problem. That's the Communist Dialectic - create a problem and then big note yourself for enacting draconian measures to solve it. By draconian measures, I am not referring to restrictions placed on Muslims, no, I'm talking about the crack-down on free speech on from the conservative side and the surveillance on reactionary groups that they have brought about. Oh anyway, here's Andrew Hastie's missive of today with a link to his web site.

Dear ******, Most of us will never see the work ASIO does in the shadows to keep us safe. That’s why the Director General’s Annual Threat Assessment speech is so important. It was a speech to the Australian people. I attended the speech this week at ASIO headquarters where the DG gave insight into the work they are doing. I encourage you to read the primary document yourself.  I trust the Director General. He has strategic vision and is operationally focused. He understands his mission: to hunt those who would do us harm.  The DG outlined the two main threats to our country. The first is terrorism. There is credible intelligence that individuals and groups have the capability and intent to conduct terrorism onshore. Violent Islamic extremism of the type embodied by Islamic State and al’Qaida remains the principal concern. Extreme right wing groups are also a growing problem. The DG warned that “in suburbs around Australia, small cells regularly meet to salute Nazi flags, inspect weapons, train in combat and share their hateful ideology.” Australia has fought and defeated both Islamic militants and Nazis in the past. Neither have a place in our country. The second threat to Australia is the unprecedented rise in espionage and foreign interference. The DG warned: “The intent is to engineer fundamental shifts in Australia’s position in the world, not just to collect intelligence or use us as a potential ‘back-door’ into our allies and partners.” The threats are significant. The security landscape is evolving and Australia’s adversaries are more determined and sophisticated than ever before. But so is ASIO and its partners. They strive to out-wit and out-imagine our adversaries. Parliament works closely with our agencies to ensure they have the laws, resources and funding needed to disrupt threats and keep Australians safe. For example, the DG described how the Assistance and Access Act, which was refined through the PJCIS, was used within ten days of it coming into effect. We lead the world with our counter-terror, foreign interference and espionage laws. We are making sure they are fit for purpose in a digital age. It is a job I take very seriously. Best, Andrew Hastie Other News My Interview with Peta Credlin about the Annual Threat Assessment Speech to Parliament: Australian manufacturing is now more important than ever Catching up with students from Frederick Irwin Anglican School in Parliament New classrooms now open in Waroona